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His success with Grappelli allowed him more freedom in his career.
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He accepted and performed and recorded with the Frenchman for the next eleven years, occupying the position once held by his idol Reinhardt. Suitably impressed, Grappelli invited him to join his band full-time. When one of Grappelli’s regular band members sustained an injury, Taylor was invited to deputise for a few European dates. It was through Isaacs that Taylor was introduced to Stephane Grappelli, erstwhile violinist in Quintette du Hot Club de France with Django Reinhardt. Taylor puts his musical talent down to beginning to learn guitar at an early age, playing frequently and also having many musicians on his father's side of the family. In addition to performing with Taylor as a duet, Isaacs helped develop his sense of jazz harmony and started him on the road to developing his unique fingerstyle technique. Performing dates in and around London soon brought him into contact with fellow jazz guitarist Ike Isaacs who took the younger man under his wing. Over the next few years Taylor played in numerous bands, in holiday camps, various radio dates and on cruise ships (one cruise led to the personal highlight of jamming with the Count Basie orchestra).
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At age eight he was playing regularly in his father’s band and at 15 he quit school intent on becoming a professional musician.
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His father frequently played the music of the Quintette du Hot Club de France and Taylor became inspired by their legendary guitarist Django Reinhardt. At the age of four he received his first guitar from his father, bassist William ‘Buck’ Taylor. Taylor was born in Harlow, Essex, in 1956 into a family with a musical heritage and a gypsy/traveller tradition, although he did not strictly lead the traditional gypsy lifestyle. You can check it out here.Video:Guitar Artistry of Martin Taylor Early life This guitar is truly amazing, going for prices in the $80k – $100k range. Martin 000-45 – Taylor also owns (and apparently cherishes) a Martin 000-45 acoustic guitar. Peerless Martin Taylor Maestro – More recently, Taylor has endorsed this archtop from Peerless Guitars, a beautifully made guitar emphasizing natural resonance and a more authentic tone.
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Yamaha AEX1500 – Taylor endorsed this Yamaha archtop in the 90’s. Key to the guitar is also the Fishman pickups. Martin Taylor Artistry’ Archtop – This is Taylor’s collaboration with UK-based Vanden guitars to make a personal “holy grail” guitar. There are several guitars that are significant for Martin Taylor’s playing: Jim Dunlop Sculpted Plectra Primetone 1.5mm Mandolin Picks – Again, these picks have equally angled corners providing a slightly more blunted playing edge.
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This is actually a great fit for me personally since I usually will take a full size guitar pick and turn it 3/4 so that I’m playing with a blunt corner. Martin Taylor has mentioned using a couple types of picks:ĭavid Grisman Dawg Mandolin Picks – The key to this pick is that it’s shorter, giving a blunter corner to pick with. They accomplish this by coating the string to protect it from the rust and degradation that comes from the oils in your fingers. 012s – Elixir strings have become popular because they last a long time and retain their tone. A lot of great acoustic players use some flavor of an AER amp.Įlixir. They’re transparent, powerful, and clear. Martin Taylor GearĪER Alpha Amplifier – AER amps are awesome for acoustic and jazz. What does Martin Taylor actually play? It’s a simple list, here it is.
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He also has a great teaching series available at where he gives a thorough insider’s view of his brand of fingerstyle jazz.